Close to half a million people saw the huge Bruegel exhibition in Vienna marking the 450th anniversary of the artist’s death. Pieter Bruegel the Elder died on September 9, 1569, but the Kunsthistorisches Museum pushed the show up a year so that lending institutions could celebrate with their Bruegels back on their walls. The exhibition’s slogan, “once in a lifetime,” was true. Never had so many works by this master been shown in one place: some twenty-seven paintings and seventy drawings and prints, more than half of his oeuvre and enough for a lifetime of looking. It is unlikely that any museum will ever be able to assemble such an exhibition again.
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With the Wisconsin’s Foxconn deal still drawing skepticism, Amazon’s HQ2 plan for Long Island City canceled, a national conversation about corporate subsidies is underway—at a moment of broader reevaluation of our welfare state, climate policy, […]
During the year he spent in Marseille, from 1940 to 1941, the American journalist Varian Fry and his colleagues created a rescue network that saved at least 2,000 people from the Nazis—including Hannah Arendt, Marc […]